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All I Want: A solo exhibition by Christina Gschwantner

Upcoming exhibition
Apr 10 - May 15, 2026
Open a larger version of the following image in a popup: Christina Gschwantner, Opalite, 2026
Open a larger version of the following image in a popup: Christina Gschwantner, Opalite, 2026
Open a larger version of the following image in a popup: Christina Gschwantner, Opalite, 2026

Christina Gschwantner Austria, b. 1975

Opalite, 2026
Acrylic on canvas, framed
57 1/8 x 45 1/4 in
145 x 115 cm
Copyright The Artist
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%3Cdiv%20class%3D%22artist%22%3EChristina%20Gschwantner%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EOpalite%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2026%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EAcrylic%20on%20canvas%2C%20framed%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E57%201/8%20x%2045%201/4%20in%3Cbr/%3E%0A145%20x%20115%20cm%3C/div%3E

Further images

  • (View a larger image of thumbnail 1 ) Christina Gschwantner, Big Scribbles, 2026
  • (View a larger image of thumbnail 2 ) Christina Gschwantner, Big Scribbles, 2026
  • (View a larger image of thumbnail 3 ) Christina Gschwantner, Big Scribbles, 2026

Visualisation

On a Wall
  • On a Wall
  • On a Wall
Opalite by Christina Gschwantner is composed as a grid-like sequence of gestural color passages, each grouping defined by a distinct tonal family. Soft, semi-opaque whites and pale yellows open the...
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Opalite by Christina Gschwantner is composed as a grid-like sequence of gestural color passages, each grouping defined by a distinct tonal family. Soft, semi-opaque whites and pale yellows open the composition, transitioning into warmer peach and ochre hues, followed by a central band of saturated greens and pinks, and anchored by cooler greys and deep blacks along the lower register. Each stroke is applied with a loaded brush, producing variations in opacity, visible bristle drag, and subtle drips that emphasize the material presence of paint on canvas.



The structure of the work balances repetition with variation, allowing each color block to function as an individual study while contributing to a cohesive overall composition. Gschwantner’s handling of pigment highlights shifts in density and pressure, with certain strokes appearing dense and opaque while others remain thin and atmospheric. Opalite offers collectors a clear articulation of the artist’s process-driven approach to abstraction, where color, surface, and gesture are treated as primary subjects within a disciplined yet expressive framework.

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